‘Chronic Illness and Creative Recuperation’, and ‘‘Creative Adaptation is our New Task’: Art and Chronic Illness’, 2024, a two part conversation with Alec Finlay and Katie McLachlan, in The Polyphony.

A concertina book is lying open on a wooden table. The book has messy ink marks and typed words, both in black ink
'Chronic Illness and Creative Recuperation'

  

A concertina book is lying open on a wooden table. The book has messy ink marks and typed words, both in black ink.
'‘Creative Adaptation is our New Task’: Art and Chronic Illness'

‘The first proxy endurance run’, 2023, with Alec Finlay and Bill Breckenridge, in Alec Finlay’s Day of Access.

A pair of legs and feet in the foreground, in blue leggings and red trainers, at the edge of a rough gravel track, with long autumnal grasses and heather on each side.

 ‘Go less far‘, 2023; a conversation between Alec Finlay, Katie McLachlan and Brighid Ó Dochartaigh, on Long Covid and creative recuperation, in Alec Finlay’s Day of Access. 

Brown-black background with white-pink suntrails.

‘Balance‘, lino print, 2023, in ‘Things I Have Learned the Hard Way: Sick Artists Club’, online exhibition.

A lino print on white paper lying on a wooden table. The print consists of small red blocks with white lettering, piled up in two piles, with a title at the top 'Still Here'. The right hand pile is much higher and consists of 'bad' things. The left hand pile is small and consists of 'good' things.

‘Stories that kept us sane: a Long Covid writer’s showcase’, poetry readings at Paisley Book Festival, 2022

Upcycled apron and poem, in Fife Contemporary online exhibition ‘Resolve to Make it New’, 2021.

A denim apron, with rusty red ties and two big colourful buttons attaching the neck, hangs on a hook against a white wooden door.

‘Recovery is a long time coming’, poem, 2020, in online Scottish Poetry Library collection.